supported by 4 fans who also own “Aeons Of Sequestered Mourning”
Black Renditions has been a scene-sundering release, dividing purists and non-purists even more. Fly In the Trap moves away from pop covers while also avoiding classic black metal themes to review one ov the 21st centuries' most interesting (and disturbing) trve crime stories. Spider God orchestrate it using extremely melodic black metal with raw, highly infectuous vocals. Especially the back half of the album never runs out of steam. I highly recommend it!
Rest in peace, Elisa. David Fischer
supported by 4 fans who also own “Aeons Of Sequestered Mourning”
De l'importance du titre ou Comment une juxtaposition de mots savamment choisis permettra à l'auditeur attentif de repérer chez Old Nick une transition vers un cadre spatio-temporel plus proche de l'ère victorienne gothique, confirmée par les clavecins et cuivres au synthé, mais aussi de parodier le contexte susmentionné, parodie amplifiée par un raw black metal chaotique : un essai au sujet de T.N.O.T.A.A.T.P.B.T.Q.A.S.F.A.B.O.O.T.D.O.S.S.T.T.E.V.H.S mené par Sir Jordan Vauvert en l'an 2024. Jordan Vauvert
supported by 4 fans who also own “Aeons Of Sequestered Mourning”
There is a feeling of cathartic ecstasy when something internally miserable aligns so perfectly with your own internal misery that suddenly the entire universe opens up to you. Like staring at the stars and being comforted by your open tiny insignificance. This is it. Luke